A multimedia artist-philosopher, Hervé Fischer initiated sociological art and today practices tweet art and tweet philosophy. His work has been shown in numerous international museums and biennials. The Centre Georges Pompidou devoted a retrospective to him, Hervé Fischer et l’art sociologique, in 2017. A digital pioneer in Quebec, in 1985 he founded the Cité des arts et des nouvelles technologies de Montréal, the first Café électronique in Canada, the International Multimedia Market, the International Federation of Multimedia Associations, the Téléscience festival and Science pour tous. His research focuses on art, the sociology of color, the digital, social imaginaries and hyperhumanism. He designed the Quebec medialab Hexagram. His publications include L’Histoire de l’art est terminée (1981), Le choc du numérique (2002), CyberProméthée, l’instinct de puissance (2003), La planète hyper, de la pensée linéaire à la pensée en arabesque (2004), La société sur le divan (2007), L’Avenir de l’art (2010), La divergence du futur (2014), Market Art (2016). He founded the International Society of Mythanalysis.